Mysteries of the Monmouth Codex (Part 1 of 2)
In the first act of a two-part story, Faraday attempts to reactivate the Facility's dormant communications system and gain access to the memory core.
The episode opens with a tight shot of a bright red emergency telephone, slowly panning out to reveal one of the long corridors typical of the Facility, with Faraday just coming into view around a corner at the opposite end. Upon sighting the phone, he dashes over and rips the receiver off the hook, tapping frantically at the single button in an attempt to get an outside line. After shouting for a response, he resigns his efforts, drops the phone and exits the corridor, apparently through the same door through which he had entered.
In the following scenes, Faraday follows a narrowing passage into an enormous, circular room, with a steaming, poorly-constructed silver rocket staged in the middle. The camera cuts to a view of Faraday from behind and pans up with his gaze, revealing that the rocket is emblazoned with a large hammer-and-sickle emblem and the C.C.C.P. insignia; he also notes aloud that there are no silo doors in the ceiling. Upon approaching the rocket for a closer inspection, Faraday catches sight of a capsule, and proceeds to don the parka it contains. No sooner has he done this than he is attacked from behind by an ape-creature in a badly-torn metallic silver spacesuit, which catches him in a bear-hug. As the action theme swells, Faraday grapples with the ape dramatically until he is overpowered and thrown through a conveniently-placed stack of cylindrical barrels. When he regains his footing, he has somehow produced the Fusilizer from Episode 6, which he then trains on the approaching ape. Faraday attempts to fire, but the weapon explodes in his hand (leading to his oft-quoted exclamation, "Blast! A Nebulon overcharge!") and the ape, now holding what appears to be a Fusilizer of its own, uses the device to spray him with a hefty dose of the hallucinogenic gas.
The ensuing montage includes depictions of the alligator-men wearing construction helmets and repairing telephone wires in a field, stocking a large shelf with Faraday dolls and worshiping a giant, golden statue of a human ear. Upon regaining consciousness, Faraday finds himself in what he initially believes to be his childhood bedroom, but he quickly discovers it to be a crude reproduction. After finding an exit he continues on through a series of rooms, among them an empty laboratory full of bubbling orange beakers, until he emerges back into another corridor with a red telephone (this corridor is identical to the one in the opening scene, though it's never explicitly stated that they are, in fact, one and the same). Suddenly, the small light on the phone stars blinking, and it emits a bizarre series of buzzing noises. Faraday approaches cautiously and answers; he is told to "Seek the Abramelin Sign" by a strange mechanical voice, after which the line goes dead.
Throughout the rest of the episode, Faraday is seen navigating a series of corridors and empty hangars, during which he chases a robotic key to unlock an oversized vault door and ultimately has to jump over a pit teeming with scorpions (a task which he bemoans at great length). At one point, he enters a factory assembly line producing heavy machine components. He sights a lone worker in a yellow hazmat containment suit that appears to have a tail. A chase ensues, but Faraday is ambushed by a team of Red Ninja assassins, who he fends off during a lengthy fight sequence. Resuming the chase, he turns a corner to find himself at a dead end, in a short hallway with another phone on the opposite wall.
In the final scene Faraday, looking somewhat bewildered, examines the phone and finds that it, unlike others he has encountered in the facility, has a coin-intake slot. A small placard on the wall next to it reads "INSERT TOKEN - WAIT FOR OUTSIDE LINE" (some die-hard fans have postulated that this is, in fact, the "Abramelin Sign" mentioned earlier in the episode, though artifacts in the script throw this theory into question). The camera cuts back to Faraday; a look of frustrated determination spreads over his face, and the words TO BE CONTINUED appear below him in bold, orange letters.
Return to Main Page