Faraday's theories about the nature of the Facility are thrown into question when he joins forces with an unlikely ally: Abraham Lincoln.
The episode opens with Faraday exploring the complex. Before long he comes into a new area with a vastly different architectural style than what he's encountered before. Faraday rapidly realizes that he seems to be backstage in a theater, with a performance of Our American Cousin already in progress. He works his way around and ends up in a booth, where a man is sneaking up behind a fellow in a stovepipe hat. Faraday, realizing that he is about to witness the assassination of Abraham Lincoln, grabs who he presumes to be John Wilkes Booth by the shoulder. Booth whirls around and Faraday is horrified to see that it is in fact one of the alligator-men in a suit and wig. Faraday is shocked to his core, as this is the first time he's seen an alligator-man without being gassed. Even in this state, Faraday knows he must protect the president, and violently struggles with alligator-Booth, eventually subduing him.
Lincoln thanks Faraday and together they leave the theater, seeking a way to escape. A number of scenes follow, with Lincoln and Faraday fighting jump-suited henchmen, hiding from Red Ninjas, and rearranging vacuum tubes to activate a doorway. Faraday and Lincoln find a door marked 'exit', but before they can reach it, men dressed in traditional Native American outfits attack them. After a brief but intense battle, Faraday and Lincoln are victorious, but Lincoln's hat is knocked off in the scuffle. When he goes to retrieve it, both he and Faraday freeze: there are two identical hats, side by side. The two exchange glances, and Lincoln reaches for the hat on the left. Faraday exclaims, "wait!" but it's too late: as soon as Lincoln touches the hat, the hallucinogenic gas pours out and both men lose consciousness.
The view fades back in from black on Faraday, back at the theater, in Lincoln's seat and wearing Lincoln's clothes. Faraday seems totally oblivious to everything but the play, watching raptly. A number of extremely long, very close shots of Faraday's face follow; an intense inner struggle seems to be happening. The camera cuts to a view behind Faraday, and shows Booth from behind, sneaking up on Faraday with his pistol drawn. As Booth raises his weapon, a shot rings out. Faraday turns suddenly to see Booth, dead and fully human, lying on the ground. He turns back around to see where the shot came from. The camera cuts to show Faraday's view: inexplicably, a tall brick building in front of a blue sky (some fans have noted that the building closely resembles the Texas School Book Depository). The camera zooms in on a figure in a window, which turns out to be Lincoln, in Faraday's Action Parka, wielding a sniper rifle. Lincoln waves at Faraday.
The camera cuts back to Faraday, who waves back in a state of confusion. He then turns around, the camera closely focused on his face, as a look of mortal terror consumes him. The camera cuts to show what he's seeing: Booth's body is now his own, lying bloody and dead on the ground.
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