Mysteries of the Monmouth Codex (Part 2 of 2)

Faraday faces new challenges as he seeks to activate the communications system -- and will success be more dangerous than failure?

Plot Summary

In the second half of the two-part episode, the familiar opening sequence is replaced with the world "PREVIOUSLY" in a bold, orange font over a dark green background, followed by a brief recap in the form of a montage; several scenes depicted did not actually occur in the previous episode (one notable exception having not appeared in the show at all). After the theme song ends, the camera fades in on Faraday suspended upside-down by a chain above a large smoking vat labelled LIQUID NITROGEN, struggling to free himself. Before long, he produces his trusty pocketknife. As he pulls himself up, the camera cuts to a close-up shot of a rope tied around his feet, which he laboriously hacks through with the knife. Once done, the camera cuts to Faraday leaning against the vat, looking relieved; the chain is still visible above him in the background.

Now free, Faraday gathers his wits and regains his breath. He fishes a chrome cigarette case from his breast pocket. He then produces a matchbook, seemingly from nowhere. When he strikes the match, the matchbook explodes with hallucinogenic gas, and Faraday rapidly loses consciousness.

The screen distorts with the gas effects and the camera fades in, low to the ground with a fish-eye lens, on a room littered with Red Ninja bodies. Smoke fills the air, unexplained, and a light flickers on and off. Shrill, discordant, vaguely Asian-themed music and the groans of the dying supplement the sound effects. One Red Ninja remains, a diagonal slash across his chest, implying that he is the sole survivor of the battle in "Mysteries of the Monmouth Codex Part 1". The Ninja removes his mask and it is Faraday; the camera circles around him as he raises his fist and screams (with no sound), vengeance consuming him. Suddenly, the hallucination cuts to an alligator-man walking down a hallway. As it rounds a corner, the alligator-man raises its gun and the bark of a large dog is dubbed over its mouth movements. The camera cuts to a view of Faraday from behind. In one deft movement, he spins around and instantly blasts the alligator-man with the Fusilizer he holds, all in less than a second. The camera then shows the dead alligator-man from Faraday's point of view. As the shot tilts down he examines his own hands; one is now a pirate's hook and the other is the hand of a large black man, covered in jewelry. The camera tilts back up, the hands leave the frame, and Faraday now stands in front of a table. Out of the hallucinogenic haze, he steps to the table and lifts up a coin; a fast zoom reveals that it says PHONE TOKEN. Faraday, determined, wheels about and walks through a door. Footage of him entering the corridor with the phone from "Mysteries of the Monmouth Codex Part 1" is played, and Faraday, dubbed, gasps "Got to... call... for help..!" The camera cuts to Faraday, clearly in a different room, tripping over his own feet with a loud grunt. He drops the token, which immediately begins to roll down the long corridor. Faraday, mortified, shouts "NO!" and leaps to his feet.

What follows is an incredibly long sequence of Faraday attempting to catch up to the quarter. Faraday chases the rolling coin for over 10 minutes, through hallways, rooms filled with computers, and countless other environs. Finally, he chases it into a room packed with tables and machinery. He gets closer and closer to the token, nearly within range; he jumps for it, and mere millimeters from his fingers, it drops into an open grate in the floor and disappears. Rage consumes Faraday, and for more than five minutes straight he destroys all of the contents of the room; he smashes computers, destroys furniture and machines with a large wrench, and more; he does not stop screaming for the entire length of the scene. After individually picking up and dashing on the ground every item on a large wooden table, he grabs the edges of the table and flips it with all of his might. The table is shown flipping in slow-motion from multiple camera angles, each time with all of the previously-smashed items back on it.

As soon as the table is flipped, a mind-control robot rounds a corner, its arms flailing as much as its limited range of motion will allow. The footage of Faraday wheeling around and firing the Fusilizer from earlier in the episode is reused; the robot explodes into a loose pile of sheet metal and copper wiring. Faraday reaches into this pile of debris and removes a large washer. He gazes at it in deep thought, nodding to himself, and the camera fades to black. It fades back in on the same shot of Faraday, now surrounded by metal shavings. In one hand he holds his pocket knife (clearly a different model and color of knife than the one seen earlier) and in the other is a U.S. Quarter. Faraday nods to himself, satisfied, and sets off, remarking, "now, to find that phone...!"

Faraday rounds a corner at exactly the same time as a Red Ninja, presumably the one Faraday experienced in his vision (although the diagonal slash on his torso is now running in the opposite directions). Faraday and the Ninja exchange glances of pure hatred, and then Faraday chops the Ninja in the throat, apparently killing him, and walks away immediately. The same recycled footage of him entering the phone room is played for the third time; when he gets to the phone, new footage plays of him inserting the slug and frantically dialing. After a tense 15 seconds of ringing, a voice announces, "If you'd like to make a call, please hang..." Faraday gasps and slams the receiver down, then stares at the coin return with barely-suppressed rage, and after many long seconds and several cuts between the coin return and Faraday's face, the token emerges. He hastily grabs it and inserts it, dialing again. The wait this time is more than twice as long. After 45 seconds of ringing, with the camera cutting between Faraday's sweat-soaked face and the phone, the line is picked up. Before he can say anything, the person who answers speaks. Faraday, horrified beyond sanity, can only listen dumbly at the sound of his own voice on the other end of the line:

"Hello? Faraday speaking! Who is this!!? This is Faraday! Who is this!? Are you there?? How do I get an outside line?! Answer me!!"


  • This is the only episode in which Faraday's jumpsuit has a pocket.
  • This is the only episode in which the action parka is never shown.
  • In his "The Man From Y.E.T.I. Unofficial Fan Guide", Javier van Snoriengaard called the quarter pursuit "the tensest, most nerve-wracking scene ever committed to film."
  • An expanded version of the music played during the Red Ninja gas hallucination was released as a single, with the performing group listed as "The Man and His Y.E.T.I.s." This version used the shrill flutes and random gong and drum sounds over a galloping bassline and furious lead guitar. Lyrics were written especially for the single.
  • A prominent Asian-American rights group attempted to keep the episode from airing, on the grounds that the music from the Red Ninja hallucination, specifically the expanded single, was offensive and reinforced negative stereotypes; as it was performed by a man doing an extremely poor Asian-American impression, and contained incredibly tasteless lyrics, this was entirely legimate. A judge sided with the group and the single was removed from the end credits, and most copies of the 45 rpm single were destroyed.

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